Jessica Ceballos (y Campbell) is a me/x/icanx-afro-euskaldunak-indigenous poet, writer, teaching artist, publisher, curator, editorial and interior designer, editor, photographer, musician, community & arts advocate, instigator, agitator, indefinite volunteer, forever student, and cultural wanderer who for over 20 years has built a career centered on exploring the intersections of art and personal narrative, and the spaces we occupy and exist in.
Jessica is a curator of literary arts and interdisciplinary programming at Avenue 50 Studio, where she co-founded the Bluebird Reading series, and where she curates Poesia Para La Gente, a program that brings poetry to non-traditional spaces throughout Los Ángeles. It's also at Avenue 50 Studio where the northeast L.A. chapter of the Los Angeles Tenants Union meets every 2nd and 4th Wednesday of the month. LATU is a tenant-centered movement fighting for the human right to housing for all. She also curates, facilitates, designs programming, co-develops, and consults for individual artists, as well as non-profit, for-profit, and autonomous organizations and collectives. She also really loves designing and editing chapbooks for all occasions.
Between 2014 and 2017 she was a partner at Writ Large Press (WLP), an indie press founded in 2007 to publish overlooked Los Angeles writers. While she's no longer a partner at WLP, she continues to admire and advocate for the ways they experiment with the idea of publishing and explore the role of the book. Between 2013 to 2017 Jessica was a member of Historic Highland Park Neighborhood Council, where she worked to support policy that considers community equitability & sustainability over disproportionate monetary advantage. She also sat as chair of their Arts Committee, and was a member of their Outreach Committee, a Homelessness Liaison, and a Film Liaison through the city of L.Á. In addition to those roles, she has also facilitated workshops, worked in theatre for 10 years, spent a year or so in music promotion at American Records, and also worked in the literary department for the entirety of Michael Ovitz's infamous experiment known as Artist Management Group. Before embarking on the path that led her to her current journey, Jessica was founding principal of a design firm whose mission was to create beautiful and ecologically responsible interiors and furnishings that were accessible to everyone.
In 2015 she was awarded a Western States Arts Federation Emerging Leader of Color fellowship. She's been recognized by the State of Alaska, the California State Assembly, the Los Angeles County Board of Supervisors, and Los Angeles Council Districts 1, 14 & 13 for her community work and arts advocacy. Together with and through Avenue 50 Studio she's been awarded grants from Council Districts 13 and 14, the LA Department of Cultural Affairs, the James Irvine Foundation, and collectively (along with her wonderful and brilliant Writ Large Press partners) she's been awarded grants for working with organizations across Southern California. She's been invited to speak at numerous panels on issues related to poetry and place, editing, publishing, art & healing, place making & keeping, and community building.
Most recently Jessica has been selected as a 2016-17 Arts for LA ACTIVATE Cultural Policy Fellow. Her culminating project is a fully accessible, interactive data resource center that aims to bridge arts and policy by highlighting the existing ways artists engage in all aspects of the City of Los Angeles.
Her written work has been published in various journals, anthologies and collective works such as Only Light Can Do That: 100 Post Election Poems, Stories, & Essays (PEN Center USA, Rattling Wall), Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles (Tia Chucha Press), Bird Float, Tree Song (Silverton Books), ATTN: (Further Other Book Works), Brooklyn & Boyle, Heartbreak Anthology, Entropy, Cultural Weekly, Los Angeles Magazine, Hinchas de Poesia, La Boga, and the Haight Ashbury Journal among others, in addition to public installations throughout Los Ángeles and San Diego. She has featured at various venues throughout Southern California, often performing with musical accompaniment, most recently with David Ornette Cherry, NK-Riot, El-Haru Kuroi, Taco Shop Poets & Los Illegals and an LA-based jazz trio at the Grand Park stage. She held a 3 month residency typing poems on demand during the opening months at the private nightclub Cloak & Dagger. In the past, she has worked as literary editor at Yay! L.A. Magazine, hosted a monthly reading at Beyond Baroque and has co-facilitated their 20th Century Latin American Poetry Workshop. Her written work has been incorporated into curriculum at Cal State San Marcos and within UCLA’s Chicano Studies department.
As for her background, Jessica was raised in 90042 and 90065, and occasionally 91780 and 91732, with one childhood year spent in 90606, and a teenage year spent in 91205. She's lived in Alaska, and Spain, and has spent considerable amounts of time in North Africa, and the Middle East, and has had about 17 addresses as an adult in Southern California, but is most comfortable going to unknown places in her car. She has studied Interior Design at Fashion Institute of Design & Merchandising, and Interior Designers Institute, and is currently studying the psychology of interior spaces, and its impact on culture and identity at Woodbury University. Her chapbook Gentre De Place Ing (Writ Large Press), a hybrid of material reflecting on art's connection to gentrification, is out now. She is currently working on an interactive chapbook of poetry that seeks to embrace the non-linear reality of life transitions, through the response to photos and music suggestions from friends, composed while traveling from Los Angeles to Seattle in February of 2014, a time period she considers to be the beginning of her new life. End of the Road will be released in 2017. Two collections of poetry are in-process, one that attempts to unbury, explore, and find blessings in the challenges that circle the process of the being and becoming of "womanhood" tentatively titled A woman was Earth, was a dolphin, was a man, was a lion, was a bird, was a mothers sin...before she was a woman again, and the other is a collection of poetry centered around a 1984 visit to Disneyland with her mother and stepfather, while also living under foster care.
Jessica is a curator of literary arts and interdisciplinary programming at Avenue 50 Studio, where she co-founded the Bluebird Reading series, and where she curates Poesia Para La Gente, a program that brings poetry to non-traditional spaces throughout Los Ángeles. It's also at Avenue 50 Studio where the northeast L.A. chapter of the Los Angeles Tenants Union meets every 2nd and 4th Wednesday of the month. LATU is a tenant-centered movement fighting for the human right to housing for all. She also curates, facilitates, designs programming, co-develops, and consults for individual artists, as well as non-profit, for-profit, and autonomous organizations and collectives. She also really loves designing and editing chapbooks for all occasions.
Between 2014 and 2017 she was a partner at Writ Large Press (WLP), an indie press founded in 2007 to publish overlooked Los Angeles writers. While she's no longer a partner at WLP, she continues to admire and advocate for the ways they experiment with the idea of publishing and explore the role of the book. Between 2013 to 2017 Jessica was a member of Historic Highland Park Neighborhood Council, where she worked to support policy that considers community equitability & sustainability over disproportionate monetary advantage. She also sat as chair of their Arts Committee, and was a member of their Outreach Committee, a Homelessness Liaison, and a Film Liaison through the city of L.Á. In addition to those roles, she has also facilitated workshops, worked in theatre for 10 years, spent a year or so in music promotion at American Records, and also worked in the literary department for the entirety of Michael Ovitz's infamous experiment known as Artist Management Group. Before embarking on the path that led her to her current journey, Jessica was founding principal of a design firm whose mission was to create beautiful and ecologically responsible interiors and furnishings that were accessible to everyone.
In 2015 she was awarded a Western States Arts Federation Emerging Leader of Color fellowship. She's been recognized by the State of Alaska, the California State Assembly, the Los Angeles County Board of Supervisors, and Los Angeles Council Districts 1, 14 & 13 for her community work and arts advocacy. Together with and through Avenue 50 Studio she's been awarded grants from Council Districts 13 and 14, the LA Department of Cultural Affairs, the James Irvine Foundation, and collectively (along with her wonderful and brilliant Writ Large Press partners) she's been awarded grants for working with organizations across Southern California. She's been invited to speak at numerous panels on issues related to poetry and place, editing, publishing, art & healing, place making & keeping, and community building.
Most recently Jessica has been selected as a 2016-17 Arts for LA ACTIVATE Cultural Policy Fellow. Her culminating project is a fully accessible, interactive data resource center that aims to bridge arts and policy by highlighting the existing ways artists engage in all aspects of the City of Los Angeles.
Her written work has been published in various journals, anthologies and collective works such as Only Light Can Do That: 100 Post Election Poems, Stories, & Essays (PEN Center USA, Rattling Wall), Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles (Tia Chucha Press), Bird Float, Tree Song (Silverton Books), ATTN: (Further Other Book Works), Brooklyn & Boyle, Heartbreak Anthology, Entropy, Cultural Weekly, Los Angeles Magazine, Hinchas de Poesia, La Boga, and the Haight Ashbury Journal among others, in addition to public installations throughout Los Ángeles and San Diego. She has featured at various venues throughout Southern California, often performing with musical accompaniment, most recently with David Ornette Cherry, NK-Riot, El-Haru Kuroi, Taco Shop Poets & Los Illegals and an LA-based jazz trio at the Grand Park stage. She held a 3 month residency typing poems on demand during the opening months at the private nightclub Cloak & Dagger. In the past, she has worked as literary editor at Yay! L.A. Magazine, hosted a monthly reading at Beyond Baroque and has co-facilitated their 20th Century Latin American Poetry Workshop. Her written work has been incorporated into curriculum at Cal State San Marcos and within UCLA’s Chicano Studies department.
As for her background, Jessica was raised in 90042 and 90065, and occasionally 91780 and 91732, with one childhood year spent in 90606, and a teenage year spent in 91205. She's lived in Alaska, and Spain, and has spent considerable amounts of time in North Africa, and the Middle East, and has had about 17 addresses as an adult in Southern California, but is most comfortable going to unknown places in her car. She has studied Interior Design at Fashion Institute of Design & Merchandising, and Interior Designers Institute, and is currently studying the psychology of interior spaces, and its impact on culture and identity at Woodbury University. Her chapbook Gentre De Place Ing (Writ Large Press), a hybrid of material reflecting on art's connection to gentrification, is out now. She is currently working on an interactive chapbook of poetry that seeks to embrace the non-linear reality of life transitions, through the response to photos and music suggestions from friends, composed while traveling from Los Angeles to Seattle in February of 2014, a time period she considers to be the beginning of her new life. End of the Road will be released in 2017. Two collections of poetry are in-process, one that attempts to unbury, explore, and find blessings in the challenges that circle the process of the being and becoming of "womanhood" tentatively titled A woman was Earth, was a dolphin, was a man, was a lion, was a bird, was a mothers sin...before she was a woman again, and the other is a collection of poetry centered around a 1984 visit to Disneyland with her mother and stepfather, while also living under foster care.
